{"product_id":"jvc-dla-nz500-native-4k-d-ila-laser-projector","title":"JVC DLA-NZ500 Native 4K D-ILA Laser Projector","description":"\u003cdiv class=\"product-description\"\u003e\n\n  \u003ch2\u003eJVC DLA-NZ500 Native 4K D-ILA Laser Projector\u003c\/h2\u003e\n\n  \u003cp\u003eThe \u003cstrong\u003eJVC DLA-NZ500\u003c\/strong\u003e is a premium \u003cstrong\u003enative 4K D-ILA laser projector\u003c\/strong\u003e built for customers who want a true cinema image at home. It is designed for dedicated theatre rooms, high-quality media rooms and serious projection systems where black level, contrast, HDR tone mapping and natural film reproduction are more important than simply chasing the brightest possible image.\u003c\/p\u003e\n\n  \u003cp\u003eAt the heart of the NZ500 are three \u003cstrong\u003e0.69-inch native 4K D-ILA devices\u003c\/strong\u003e, delivering a true \u003cstrong\u003e4096 x 2160\u003c\/strong\u003e image without pixel shifting. This matters in a proper cinema room because native 4K projection gives fine detail, texture and depth a more natural look, especially on larger screens where image structure becomes easier to see.\u003c\/p\u003e\n\n  \u003cp\u003eThe projector also uses JVC’s \u003cstrong\u003eBLU-Escent laser light source\u003c\/strong\u003e, rated at \u003cstrong\u003e2,000 lumens\u003c\/strong\u003e with an expected life of approximately \u003cstrong\u003e20,000 hours\u003c\/strong\u003e. Compared with lamp-based projectors, laser gives a more stable long-term light source, faster daily usability and less maintenance over the life of the projector.\u003c\/p\u003e\n\n  \u003ch3\u003eKey Features\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNative 4K D-ILA projection\u003c\/strong\u003e with three 0.69-inch native 4K devices\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e4096 x 2160 native resolution\u003c\/strong\u003e for genuine cinema-grade detail\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eBLU-Escent laser light source\u003c\/strong\u003e with approx. 20,000-hour life\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e2,000 lumens brightness\u003c\/strong\u003e for premium home cinema use\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e40,000:1 native contrast\u003c\/strong\u003e for deep blacks and strong image depth\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eGen2 Frame Adapt HDR\u003c\/strong\u003e for real-time HDR tone mapping\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDeep Black Tone Control\u003c\/strong\u003e for richer dark-scene gradation\u003c\/li\u003e\n    \u003cli\u003e\u003cstrong\u003eHDR10, HDR10+ and HLG support\u003c\/strong\u003e\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eDML and MaxCLL metadata support\u003c\/strong\u003e for improved HDR handling\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eNew 80mm motorised 4K lens\u003c\/strong\u003e with 15 elements in 11 groups\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e1.6x motorised zoom\u003c\/strong\u003e with motorised focus and lens shift\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e±70% vertical and ±28% horizontal lens shift\u003c\/strong\u003e for installation flexibility\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eFilmmaker Mode\u003c\/strong\u003e for more faithful movie reproduction\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eISFccc certification\u003c\/strong\u003e for professional calibration control\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003e6-axis colour management\u003c\/strong\u003e and Auto Calibration support\u003c\/li\u003e\n    \u003cli\u003e\n\u003cstrong\u003eCompact redesigned chassis\u003c\/strong\u003e compared with previous JVC laser models\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eWhy Choose the JVC DLA-NZ500?\u003c\/h3\u003e\n\n  \u003cp\u003eThe DLA-NZ500 is for customers who want a projector that behaves like a proper cinema display rather than a bright presentation projector. JVC has built its reputation around black level and contrast, and that is exactly where the NZ500 makes sense. Its \u003cstrong\u003e40,000:1 native contrast\u003c\/strong\u003e gives dark scenes more depth, more shadow detail and a more convincing cinematic feel than projectors that rely mainly on brightness.\u003c\/p\u003e\n\n  \u003cp\u003eThe other major strength is HDR handling. Projection is naturally more challenging for HDR than a television because a projector cannot hit the same peak brightness as a modern flat panel. JVC’s \u003cstrong\u003eGen2 Frame Adapt HDR\u003c\/strong\u003e helps solve this by analysing HDR10 content scene-by-scene or frame-by-frame and applying real-time tone mapping. For customers, that means HDR movies look more balanced, with better highlight control, stronger colour and less crushed shadow detail.\u003c\/p\u003e\n\n  \u003cp\u003eThe NZ500 is also a very sensible choice when the room or cabinetry requires a more compact projector. JVC redesigned the optical unit, lens and circuit board to create a smaller native 4K laser chassis, with the NZ500\/NZ700 generation reducing dimensions by around 35% compared with the previous DLA-NZ7 generation. That makes installation easier while still retaining native 4K D-ILA and laser light performance.\u003c\/p\u003e\n\n  \u003ch3\u003ePicture Performance\u003c\/h3\u003e\n\n  \u003cp\u003eThe DLA-NZ500 is built around a cinema-first image. Its strengths are black level, natural colour, smooth gradation and controlled HDR rather than exaggerated sharpness or showroom-style brightness. With good source material, it delivers a film-like image with excellent depth, especially when used in a light-controlled theatre room with a suitable projection screen.\u003c\/p\u003e\n\n  \u003cp\u003eJVC’s \u003cstrong\u003eDeep Black Tone Control\u003c\/strong\u003e adds further refinement in darker HDR scenes. This is particularly valuable for movie content with night scenes, space scenes, dark interiors or high-contrast lighting, where weaker projectors can either wash out the black floor or lose subtle detail.\u003c\/p\u003e\n\n  \u003cp\u003eThe NZ500 also includes \u003cstrong\u003eFilmmaker Mode\u003c\/strong\u003e, \u003cstrong\u003eISFccc calibration support\u003c\/strong\u003e, a \u003cstrong\u003e6-axis colour management system\u003c\/strong\u003e and Auto Calibration capability. For customers building a proper cinema room, this gives an installer or calibrator the tools needed to tune the projector to the screen, room and source equipment.\u003c\/p\u003e\n\n  \u003ch3\u003eInstallation \u0026amp; System Matching\u003c\/h3\u003e\n\n  \u003cp\u003eThe newly designed \u003cstrong\u003e80mm motorised 4K lens\u003c\/strong\u003e is a major part of the NZ500’s real-world appeal. With motorised zoom, focus and lens shift, it can be installed neatly in a dedicated theatre, media room or projector cavity while still allowing precise screen alignment. The generous \u003cstrong\u003e±70% vertical\u003c\/strong\u003e and \u003cstrong\u003e±28% horizontal\u003c\/strong\u003e lens shift also makes placement easier than with many fixed or limited-shift projectors.\u003c\/p\u003e\n\n  \u003cp\u003eThe projector includes \u003cstrong\u003efive installation memory modes\u003c\/strong\u003e, which is useful for customers using a cinemascope screen, multiple aspect ratios or an anamorphic lens. Installation memories can store lens control, pixel adjustment, masking, anamorphic mode, screen settings, installation style, keystone and aspect settings.\u003c\/p\u003e\n\n  \u003cp\u003eFor best results, the DLA-NZ500 should be paired with a quality fixed-frame or tensioned projection screen, a properly controlled lighting environment, and a serious AV processor or receiver. It is also important to select the correct screen size and gain for the room, because projector brightness, seating distance and HDR performance are all linked.\u003c\/p\u003e\n\n  \u003ch3\u003eIdeal Applications\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eDedicated home theatre rooms\u003c\/li\u003e\n    \u003cli\u003eHigh-quality media rooms with controlled lighting\u003c\/li\u003e\n    \u003cli\u003eCustomers wanting true native 4K projection\u003c\/li\u003e\n    \u003cli\u003eMovie lovers prioritising black level, contrast and HDR tone mapping\u003c\/li\u003e\n    \u003cli\u003eCinemascope screen installations using lens memories\u003c\/li\u003e\n    \u003cli\u003eSystems using UHD Blu-ray, Kaleidescape, Apple TV 4K or premium streaming sources\u003c\/li\u003e\n    \u003cli\u003eProfessional calibration projects using ISF controls and Auto Calibration\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eFull Specifications\u003c\/h3\u003e\n  \u003cdetails\u003e\n    \u003csummary\u003eClick to view full specifications\u003c\/summary\u003e\n\n    \u003ch4\u003eDevice\u003c\/h4\u003e\n    \u003cul\u003e\n      \u003cli\u003e\n\u003cstrong\u003eModel:\u003c\/strong\u003e DLA-NZ500\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eProduct Type:\u003c\/strong\u003e D-ILA home theatre projector\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eD-ILA Technology:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eChip Type:\u003c\/strong\u003e 0.69-inch native 4K D-ILA device\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eNumber of Chips:\u003c\/strong\u003e 3\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eNative Resolution:\u003c\/strong\u003e 4096 x 2160\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eDisplay Resolution:\u003c\/strong\u003e 4096 x 2160\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch4\u003eLight Source\u003c\/h4\u003e\n    \u003cul\u003e\n      \u003cli\u003e\n\u003cstrong\u003eLight Source:\u003c\/strong\u003e BLU-Escent laser diode\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eLaser:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eLight Source Life:\u003c\/strong\u003e Approx. 20,000 hours in standard mode\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eLight Source Control:\u003c\/strong\u003e 101-step luminance adjustment\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch4\u003ePicture\u003c\/h4\u003e\n    \u003cul\u003e\n      \u003cli\u003e\n\u003cstrong\u003eBrightness:\u003c\/strong\u003e 2,000 lumens\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eNative Contrast:\u003c\/strong\u003e 40,000:1\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eDynamic Contrast:\u003c\/strong\u003e Infinity:1\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eDynamic Light Power Control:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eDynamic Light Control Modes:\u003c\/strong\u003e Low, High, Balance, Off\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eManual Aperture:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eAperture Range:\u003c\/strong\u003e -15 to 0\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eColour Gamut:\u003c\/strong\u003e 100% Rec.709\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eColour Bit Depth:\u003c\/strong\u003e 12-bit\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eISFccc Certification:\u003c\/strong\u003e Yes\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch4\u003eHDR\u003c\/h4\u003e\n    \u003cul\u003e\n      \u003cli\u003e\n\u003cstrong\u003eHDR10:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eHDR10+:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eHLG:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eFrame Adapt HDR:\u003c\/strong\u003e Yes, Gen2\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eDeep Black Tone Control:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eMastering Info Display:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eHDR Metadata:\u003c\/strong\u003e MaxCLL, MaxFALL, DML\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch4\u003eLens\u003c\/h4\u003e\n    \u003cul\u003e\n      \u003cli\u003e\n\u003cstrong\u003eLens Diameter:\u003c\/strong\u003e 80mm\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eLens Construction:\u003c\/strong\u003e 15 elements in 11 groups\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eZoom:\u003c\/strong\u003e 1.6x\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eThrow Ratio:\u003c\/strong\u003e 1.34–2.14:1 for 16:9, 1.26–2.01:1 for 17:9\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eLens Shift:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eVertical Lens Shift:\u003c\/strong\u003e ±70%\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eHorizontal Lens Shift:\u003c\/strong\u003e ±28%\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eMotorised Zoom:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eMotorised Shift:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eMotorised Focus:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eProjection Display Size:\u003c\/strong\u003e 60–200 inches diagonal\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eLens Memory:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eUser Presets:\u003c\/strong\u003e 5\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eLens Cover:\u003c\/strong\u003e Yes\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch4\u003eHDMI \u0026amp; Video Input\u003c\/h4\u003e\n    \u003cul\u003e\n      \u003cli\u003e\n\u003cstrong\u003eHDMI Inputs:\u003c\/strong\u003e 2\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eHDMI Data Rate:\u003c\/strong\u003e 32Gbps\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eHDCP Version:\u003c\/strong\u003e HDCP 2.3\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003e4K60P Signal Input:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eVideo Signal Range:\u003c\/strong\u003e 480p, 576p, 720p 60\/50, 1080p 60\/50\/30\/25\/24, 3840 x 2160p 60\/50\/30\/25\/24, 4096 x 2160p 60\/50\/30\/25\/24\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003ePC Signal Range:\u003c\/strong\u003e 640x480, 800x600, 2048x1080, 1600x1200, 1920x1200, 2048x1536, 2560x1440\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eInput Level Adjustment:\u003c\/strong\u003e Auto, Standard 16–235, Enhanced 0–255, Super White 16–255\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eColour Space Range:\u003c\/strong\u003e Auto, YCbCr444, YCbCr422, RGB\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eEDID Modes:\u003c\/strong\u003e Standard, Option 1, Option 2\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch4\u003eConnections \u0026amp; Control\u003c\/h4\u003e\n    \u003cul\u003e\n      \u003cli\u003e\n\u003cstrong\u003eLAN:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eLAN Connector:\u003c\/strong\u003e RJ45\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eService Port:\u003c\/strong\u003e USB Type A for firmware update or backup\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eControl4 SDDP:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eHome Automation Support:\u003c\/strong\u003e Control4, RTI and Josh.ai support listed by JVC\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch4\u003ePicture Settings\u003c\/h4\u003e\n    \u003cul\u003e\n      \u003cli\u003e\n\u003cstrong\u003ePicture Modes:\u003c\/strong\u003e Natural, Cinema, Filmmaker, Vivid, Frame Adapt HDR1, Frame Adapt HDR2, HDR10+, HLG, FilmMaker, 4 User modes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eColour Temperatures:\u003c\/strong\u003e 5500K, 6500K, 7500K, 9300K, High Bright, HDR10+, HDR10, HLG, Custom 1, Custom 2\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eGamma Processing Depth:\u003c\/strong\u003e 12-bit\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eGamma Adjustment:\u003c\/strong\u003e HDR Auto, HDR PQ, HDR HLG, 2.2, 2.4, 2.6, Cinema 1, Cinema 2, Vivid, 3 Custom modes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eColour Management:\u003c\/strong\u003e 6-axis adjustable CMS\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eMPC:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eFilmmaker Mode:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eAuto Calibration:\u003c\/strong\u003e Yes\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch4\u003eInstallation\u003c\/h4\u003e\n    \u003cul\u003e\n      \u003cli\u003e\n\u003cstrong\u003eInstallation Mode:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eInstallation Memory Modes:\u003c\/strong\u003e 5\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eInstallation Settings:\u003c\/strong\u003e Lens Control, Pixel Adjustment, Mask, Anamorphic on\/off, Screen Adjust, Installation Style, Keystone and Aspect\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eAnamorphic Modes:\u003c\/strong\u003e 4 modes: A, B, C, D\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eDigital Keystone:\u003c\/strong\u003e Yes, vertical only\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eScreen Adjustment Mode:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eUSB Backup:\u003c\/strong\u003e Yes\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch4\u003ePower \u0026amp; Environment\u003c\/h4\u003e\n    \u003cul\u003e\n      \u003cli\u003e\n\u003cstrong\u003ePower Requirement:\u003c\/strong\u003e AC 100–240V, 50\/60Hz\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003ePower Consumption In Use:\u003c\/strong\u003e 280W\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eStandby Power:\u003c\/strong\u003e 0.3W in Eco mode\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eNetwork Standby:\u003c\/strong\u003e 1.5W via LAN\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eFan Noise:\u003c\/strong\u003e 23dB\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eEco Mode:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eStandby Timer:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eOperating Temperature:\u003c\/strong\u003e 5°C to 35°C\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eOperating Humidity:\u003c\/strong\u003e 20% to 80%\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eInstallation Angle:\u003c\/strong\u003e Horizontal ±10°, vertical ±10°\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eInstallation Height:\u003c\/strong\u003e Below 2,000m\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch4\u003eIn The Box\u003c\/h4\u003e\n    \u003cul\u003e\n      \u003cli\u003e\n\u003cstrong\u003eRemote Control:\u003c\/strong\u003e RM-MH27\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eQuick Guide:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003ePower Cord:\u003c\/strong\u003e Yes\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eBatteries:\u003c\/strong\u003e 2 x AAA batteries\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n    \u003ch4\u003eDimensions \u0026amp; Weight\u003c\/h4\u003e\n    \u003cul\u003e\n      \u003cli\u003e\n\u003cstrong\u003eProduct Dimensions:\u003c\/strong\u003e 450 x 181 x 479mm\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003eProduct Weight:\u003c\/strong\u003e 14.6kg\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003ePackage Dimensions:\u003c\/strong\u003e 585 x 361 x 600mm\u003c\/li\u003e\n      \u003cli\u003e\n\u003cstrong\u003ePackage Weight:\u003c\/strong\u003e 18.9kg\u003c\/li\u003e\n    \u003c\/ul\u003e\n\n  \u003c\/details\u003e\n\n  \u003ch3\u003eImportant Notes\u003c\/h3\u003e\n  \u003cul\u003e\n    \u003cli\u003eThe DLA-NZ500 is a \u003cstrong\u003enative 4K home cinema projector\u003c\/strong\u003e and should be installed with careful attention to throw distance, screen size, lens shift and room light control.\u003c\/li\u003e\n    \u003cli\u003eFor best HDR performance, pair with a suitable projection screen and high-quality 4K HDR sources.\u003c\/li\u003e\n    \u003cli\u003eProfessional installation and calibration are strongly recommended for serious theatre rooms.\u003c\/li\u003e\n    \u003cli\u003eAuto Calibration requires a compatible optical sensor and JVC software.\u003c\/li\u003e\n    \u003cli\u003eHDMI input is designed for up to 4K\/60p signals, not 4K\/120 gaming use.\u003c\/li\u003e\n  \u003c\/ul\u003e\n\n  \u003ch3\u003eFinal Word\u003c\/h3\u003e\n\n  \u003cp\u003eThe \u003cstrong\u003eJVC DLA-NZ500\u003c\/strong\u003e is a serious native 4K laser projector for customers who value true cinema performance. Its combination of native 4K D-ILA panels, BLU-Escent laser light, high native contrast, Gen2 Frame Adapt HDR and a motorised 4K lens makes it an excellent choice for dedicated theatres and high-quality media rooms where picture depth, black level and HDR control matter most.\u003c\/p\u003e\n\n\u003c\/div\u003e","brand":"JVC","offers":[{"title":"Default Title","offer_id":48075061100731,"sku":null,"price":9999.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0252\/1956\/3610\/files\/JVC_DLANZ700_NZ500_std_F.png?v=1783478239","url":"https:\/\/theaudioexperts.com.au\/products\/jvc-dla-nz500-native-4k-d-ila-laser-projector","provider":"The Audio Experts","version":"1.0","type":"link"}